I'm baaaaaaaaaaaaack...

Its alive.....ALIVE!!

I've been away from my blog for too long...been trying to troubleshoot posting from my phone so that updates will be easier to make and I ended up settling on an app called Blogaway for Android which is the first that has allowed me to successfully add images...so this post is a bit of a test...if all goes well, watch for more postage comin' atcha.......


Unearthed - Charcoal (so far) Composited

Unearthed - charcoal composite from Ubatuber on Vimeo.

A few more seconds of charcoal animation done, and composited into the Unearthed footage.  Still needs tweaking, but I will wait for a final pass once the 2-D work is done.  For now putting it on hold to refocus on Krampus for the holidays...


Unearthed 2-D - Frame One

Here is the first frame of my charcoal animation.  I haven't actually started animating yet, but it begins here.  When working out the story, I ultimately decided to start with a crucified man.  The religious imagery came naturally, organically, even though I am surprised by myself because I am not a religious person per se.  I was raised Catholic and have serious issues with institutionalized religion.  Nevertheless, beginning the story here at this recognizable image gave it a mystical vibe right off the bat.  Quick impact, get the story going.  Its been difficult nailing down the specifics of this story because of the nature of what has to happen in the 2-D sequence.  It is, essentially, exposition.  I am explaining the history of a particular artifact that Herbie is after, that he has killed for (I have described Herbie in the past as a Darth Indiana).  I had a lot of trouble figuring out how to portray the item's history without dialogue, with only visual information.  But by George, I think I've got it.....maybe you'll understand better when I have something moving to show you :)

I left a few inches of paper around the taped-off image space, a gutter, so that I can work charcoal there if I need to.  A lot of times when I am using charcoal, I like to use my fingers to smudge for delicate shadows.  By drawing heavily in the gutter with my softest stick, I basically give myself little piles of charcoal dust to dip into when I need a subtle tonal shift.  I have a jar of charcoal dust also, but that stuff is messy, especially with a ceiling fan going, so I usually prefer this method.  All of the "dust" sticks to the paper until I rub my fingers into it.


Unearthed - The 2-D Sequence begins...

I've been getting myself set up to begin my first charcoal animation, which will be a 2-D sequence in "Unearthed". I'm aiming to do the entire animation on a single sheet of paper, image area approximately 12" x 16"....


Altered Book

Here is a page out of my altered book, a commissioned project that I am working on.  Inspired by the poem "Thirteen Ways of Looking at a Blackbird", this refurbished old library book has charcoal work, collage, painting, printmaking techniques all throughout.  This page features the thirteenth stanza, "It was evening all afternoon.  It was snowing and it was going to snow.  The blackbirds sat in the cedar-limbs." Black feathers added using gel medium, watercolor painted background, pen n ink illustration.


Makings of a Dryad

One of my backburner projects is a sculpture of a dryad(s) assembled from oak tree branches and pieces parts that have fallen in my yard.  I have been collecting them for about a year.  I think I may get working on it as my submission to this year's "no dead artists" show at a local gallery.  I submit every year but have never been selected.

Yesterday I was investigating a large branch that fell during hurricane Isaac last year, and discovered an amazing pattern under the bark in places...possibly new knots beginning to form? I think this will be worked into the "hair" of the carving.  Beautiful unnatural natural pattern.  Amazed by nature as always.